Axis began as a quiet obsession with perspective. Over time, the urge to look at the world from unexpected angles became a disciplined practice. Photographing directly above or directly below strips away familiar depth and destabilizes orientation. Roads become lines etched into the earth. Buildings stretch into abstract forms. Forests dissolve into texture. The ground becomes a canvas, the sky a ceiling.

This approach is less about altitude and more about distance from habit. By removing the comfort of eye-level vision, space transforms into structure. The ordinary becomes architectural. A city intersection seen from above turns into geometry. A cathedral photographed from its base becomes an ascent of symmetry and tension. Axis is a study of alignment and gravity, a search for clarity within complexity. It reflects a desire to reduce the world to its essential lines and rediscover it as something both ordered and unfamiliar.